FujiFilm XT-3
Famous for their lenses and film stock, Fujifilm has recreated their iconic look in the mirror-less range, the Fujifilm Xt3 is capable of shooting at all premium codes, and has excellent color capabilities, which can be extremely useful in run and gun situations. Their color profiles are reminiscent of their old film stocks and it produces a film look upon shooting on those presets.
Black Magic Pocket Cinema Camera
In various form factors such as Micro Four Thirds, APSC, and Full-Frame, the Black Magic Pocket Cinema camera, has been a go-to for an independent film-maker who don’t have the time or opportunity to afford a large budget, it shoots 4k RAW in the B-RAW format and in some newer models has up to 12-bit color depth, the size of the cameras also makes it easier to shoot and move around in crowded locations without gathering a lot of attention.
Panasonic Lumix S Series
The Panasonic Lumix S series are full-frame mirrorless cameras that are meant for filmmakers who aspire to do more with their footage, one can easily shoot up to 6k and the higher resolution allows for a risk-free post-production process. The flexibility doesn’t stop there. Other benefits of this camera include adaptability to other accessories, such as vintage lenses and filters that can be added to the camera.
Sigma FP
The world’s smallest full-frame cinema camera the sigma fp is the size of an old digital camera yet packs a mighty punch, upon adding an external SSD, one can shoot 4k RAW with 12-bit color depth, and the color reproduction is also splendid the biggest advantage being the Lens mount which allows all Leica lenses to functional with the FP. The RAW codec is also Cinema DNG which is virtually lossless RAW, so it really makes the impossible happen with its size and functionality it becomes one of the most versatile cameras on planet earth.